Sinem Erkas is a graphic artist and designer with an appetite for experimentation and a good sense of fun.
Her visual practice ranges from flat digital works to tactile paper collages to 3D sets, often creating playful and bold images that make you look twice.
Based in London, Sinem graduated from CSM in 2008. She has worked in publishing for 12 years as a book cover artist and has acquired numerous awards and clients that include Profile Books, Penguin Random House, Wellcome Collection and The Observer.
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Brand Impact Awards Judge 2022
D&AD Awards Judge 2019
3 x Finalist @ British Book Design & Production Awards
5 x Winner @ ABCD Awards
5 x Shortlisted @ ABCD Awards
1 x D&AD New Blood Award
Rising Star 2013 @ The Bookseller
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Live Paper Cutting
‘Cocoa Kids Fest’
Dulwich College, 2021Live Paper Cutting
‘Women of the World’ festival,
Southbank Centre, 2020Talk on ‘Collaboration’,
St Brides Library 2019Regular careers advice,
Central Saint MartinsRegular careers advice,
The Brit School
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She Designs Books, 2020
Type Directors Club, New York
The Girl Guide, 2017
Geffrye Museum, London
A+ Exhibition, 2016
Central Saint Martins, LondonKilled Covers, 2012
Hay festival, HayAdorn, 2010
London Design Festival, LondonThe Internet Pavilion, 2009
Venice Biennale, VeniceNot a f****** art show! 2009
Trinity Buoy Wharf, LondonYCN Live, 2009
The Village Underground, LondonD&AD New Blood Awards, 2008
Earls Court, LondonContext Collected, 2008
St Brides Library, LondonCSM Degree Show, 2008
Oxo Tower, LondonThe Replenishing Body, 2007
Gallery Boutique, London
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AIGA Eye on Design
Anyways
Boots
Elle Decoration
Granta
Google
Hachette
Penguin Random House
Profile books
The British Library
The Observer
The Times
Warp records
Wellcome Collection -
Illustration
Graphic Design
3D Props / Set Design
Art Direction
Animation
Live Paper Portraits -
Instagram: @sinemerkas
Twitter: @sinemerkas
Copyright © Sinem Erkas 2021
FAQ
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You can buy my illustrated childrens books from Foyles, Waterstones, many independent bookshops and Bookshop.org.
Below is a list of ISBNs to help find the books:
The Girl Guide
ISBN: 978-1847809483Work it Girl, Oprah Winfrey
ISBN: 978-1786037350Work it Girl, J K Rowling
ISBN: 978-1786037381Work it Girl, Michelle Obama
ISBN: 978-0711245174Work it Girl, Mae Jemison
ISBN: 978-0711245143Work it Girl, Beyoncé Knowles
ISBN: 978-0711245143 -
I graduated in Graphic Design from CSM in 2008 after studying Art & Design at The Brit School. After a little stint working in branding, I decided I was more into image-making and explored this more whilst still working full-time in an agency. This led to self-publishing a project that (after getting some press) managed to sell 400 copies in a day!
This was rather exciting and after contacting several publishers, I discovered (rather late) that you could design just book covers full-time. After sending my portfolio to art directors I started freelancing at a couple of publishing houses in their art departments. Now I work from my studio for many publishing houses in the UK and internationally.
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Yes you can, feel free to email me.
If you live in London, I sometimes get invited to events where I make 15-minute live paper portraits of anyone who is willing to see themselves in paper. I use a scalpel like a pencil and work really fast to get interesting results! Follow me on instagram to find out the latest event news. See some recent paper portraits here.
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I’m mainly inspired by the words I read in the books or articles I am working on. Also personal experiences, comics and finding simplicity in things. Visually I’m like a sponge and can be inspired by anything from a little vintage matchbox to an exhibition about optical illusions to a piece of theatre, for example Ennio Marchettos paper costume comedy!
Feminism plays an important role within my work, as can be seen in my first illustrated book ‘The Girl Guide’.
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I have always been drawing / making for as long as I can remember. I used a lot of sketchbooks as visual diaries and find communication a lot easier through images.
When I started designing books, that was when I started to also create my own images commercially. It’s quite handy being able to design and illustrate.
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Sometimes I am asked to work in a particular medium, but often I decide instinctively... Some ideas are better executed digitally, whilst others might be better suited to paper collages or another medium, like balloons, for example. Whatever compliments the idea!
I’m a fan of both analogue and digital, and get bored very easily, so I like to mix it up!